Salah satu keunikan Taste of Cherry adalah 70% pengambilan gambarnya dilakukan di dengan kamera yang dipasang di kap (bonet) atau dashboard. Kiarostami sengaja membatasi ruang visual.
In the vast landscape of world cinema, there are films you watch, films you admire, and then there is Taste of Cherry (طعم گیلاس). The 1997 Palme d’Or winner by Iranian master Abbas Kiarostami is not a movie in the conventional sense. It is a philosophical endurance test. It is a 95-minute conversation about suicide, loneliness, and the quiet gravel of the Iranian countryside. Taste Of Cherry Sub Indo
: The film ends famously by "breaking the fourth wall." After Badii lies down in his grave during a storm, the scene shifts to camcorder footage of the real film crew, leaving Badii's ultimate fate unknown and emphasizing the boundary between art and reality. AI responses may include mistakes. Learn more Salah satu keunikan Taste of Cherry adalah 70%
, a middle-aged man driving his Range Rover through the dusty, arid hills of Tehran. He is looking for someone to perform a specific task: come to a pre-dug grave in the hills at dawn, call his name twice, and if he does not answer, bury him. He offers a large sum of money for this "job". Senses of Cinema The 1997 Palme d’Or winner by Iranian master
Bagi para sinefil, nama bukanlah sekadar sutradara. Ia adalah filsuf yang menggunakan kamera sebagai pulpen. Salah satu karyanya yang paling kontroversial sekaligus monumental adalah Taste of Cherry (طعم گیلاس – Taam-e Guilass), yang dirilis pada tahun 1997.
Ia telah menggali lubang di pegunungan dan berencana meminum obat tidur di sana. Tugas yang ia tawarkan sederhana namun berat secara moral: datang ke lubang tersebut pada jam 6 pagi, panggil namanya, dan jika ia tidak menjawab, timbun tubuhnya dengan tanah. Sebagai imbalannya, ia menawarkan bayaran yang sangat besar.