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In literature, James Joyce’s A Portrait of the Artist as a Young Man shows Stephen Dedalus grappling with his mother’s devout Catholicism versus his own artistic, pagan soul. Her quiet prayers are a chain he must break, yet her face is the one that haunts his memory. The tragedy is that the son must "kill" the mother’s expectations to be reborn.
Stories About Mother-Son Relationships - Electric Literature
Consider François Truffaut’s The 400 Blows (1959). The young Antoine Doinel’s odyssey of juvenile delinquency is almost entirely a reaction to his mother’s neglect and casual cruelty. Truffaut uses the shot-reverse-shot to devastating effect: when Antoine looks at his mother, we see a beautiful, selfish woman who would rather go to the cinema than care for him. When the mother looks at Antoine, she sees an inconvenience. The film’s iconic final freeze-frame—Antoine at the edge of the sea, having escaped a reformatory—is an ambiguous ending. He has escaped society, but has he escaped the mother’s indifferent gaze? The film says no. That gaze is now internalized.