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The great director K.G. George, in films like Yavanika (1982) and Lekhayude Maranam Oru Flashback (1985), used the structure of a thriller to dissect the moral bankruptcy of the artist and the exploitative nature of political patronage. The living rooms in these films are battlegrounds for caste, class, and communist ideology.
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As Kerala’s society transformed with the Gulf migration boom (the "G