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Take Elavankodu Desam (1998), a film about a Hindu priest who loses his faith after a tragedy, or Amen (2013), a surrealist romantic comedy set against a Syrian Christian festival. Even a mainstream blockbuster like Pulimurugan (2016) grounds its heroics in the indigenous martial art of Kalaripayattu and the local legend of man-animal conflict. Malayalam cinema respects belief but champions reason—a reflection of Kerala’s own "radical middle" where the devout Marxist and the pious devotee often share the same bus seat.

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