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From the kalaripayattu sequences in Oru Vadakkan Veeragatha (1989) to the poignant Theyyam performances in Paleri Manikyam (2009) and Kummatti (2024), Malayalam cinema doesn’t exoticize its rituals. Instead, it grounds them in caste realities, family honor, and spiritual longing. The onam feast, the monsoon-swollen backwaters, the chaya (tea) stalls with their low stools and louder debates — all are rendered with ethnographic care.