The maestro's fixation on Mozart grew more intense, and his behavior became increasingly erratic. He began to sabotage Mozart's performances, spreading rumors and lies about his rival to undermine his reputation. The once-promising composer from Legnago had transformed into a shadow of his former self, driven by a malevolent force that threatened to consume him whole.
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L’Enfer refuses catharsis. Unlike Dante, who leaves hell for paradise, Salieri’s camera stays—suggesting that modern hell is immanent, eroticized, and total. A necessary provocation. The maestro's fixation on Mozart grew more intense,