The "romance" in SoulMate is actually a mirror. The male lead (the quiet, artistic Su Jia Ming) isn't a Prince Charming; he is a catalyst that forces the two women to confront who they really are. The movie suggests that the most important relationship in a woman’s life is often not with a man, but with her best friend. This nuanced, layered approach to romantic storylines is virtually absent in the male-dominated writing rooms of mainstream Hollywood.
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If you want to create or find in Chinese girls' movies, look for these three signs: