While it has more dialogue than our other examples, Linklater creates a "mtrjm" through temporal compression. The entire relationship is a diagram of a single night. The romantic storyline is not about conflict; it's about the formation of a shared private mythology. The "zen" is in the long, unbroken takes of two people walking, talking, and gradually syncing their gaits.
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How do you actually write a relationship storyline using these principles? You abandon the three-act structure in favor of four spiritual pillars. While it has more dialogue than our other