It is important to note the historical context of the term "Spanish Guitar." In Manoloff’s time, the term was often used to differentiate the nylon-string, classical-style guitar from the steel-string "Hawaiian" guitar or the plectrum banjo styles popular in jazz. Consequently, Manoloff’s "Spanish" method was not strictly a guide to classical flamenco or the Segovian style; rather, it was a bridge between the lush harmonies of the Spanish tradition and the rhythm and chord-melody approach of American popular music.
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