By 40%, he was already sketching a brand identity in his mind that would make the local agencies weep.By 70%, he was visualizing a motion graphics sequence—swirling nebulas and kinetic typography—that he’d finally have the rendering power to execute.At 99%, the room seemed to go silent.
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Leo didn’t go for the obvious choice. He opened After Effects first. He imported a raw clip of the city street he’d filmed earlier that day. With the 2021 update's new Roto Brush 2, he isolated a passing cyclist in seconds—a task that used to take him hours of frame-by-frame torture. He layered in a surreal, neon-drenched sky from a high-res Photoshop composite and synced the flicker to a lo-fi beat. By 40%, he was already sketching a brand