The 1998 Italian film (original title: La seconda moglie ), directed by Ugo Chiti , is a sensual drama set in the sun-drenched Tuscan countryside during the late 1950s.
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Critics have compared the film to a "chaste version" of Tinto Brass’s works or Giuseppe Tornatore's The 1998 Italian film (original title: La seconda
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The narrative takes a sharp turn when Fosco is imprisoned for robbing Etruscan graves—a metaphor, perhaps, for his own excavation of the past and disregard for the present. In his absence, the bond between Anna and Livio evolves from stepmotherly care into a forbidden, high-intensity romance that challenges the rigid social and moral rules of the era. Why This Film Matters
The climax, as far as these films go, is quiet. Herman has a stroke. Not a dramatic, sprawling-to-the-floor stroke—a small one, in his left eye, while signing a delivery order. He loses peripheral vision. He becomes useless at work, then at home. Sari takes him back not out of love, but out of arithmetic: a sick husband is still a house. Maya, now seven months pregnant, visits him once. She stands at the foot of the hospital bed. He doesn’t recognize her. The stroke erased the past three years.
Critics often highlight the "voluptuous" presence of Maria Grazia Cucinotta and the film's polished, sun-drenched Tuscan cinematography.