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Romantic dramas thrive on parasocial relationships—audiences bonding with fictional couples (e.g., Ross and Rachel, Claire and Jamie from Outlander ). The entertainment value multiplies across episodes or films as viewers invest in the couple’s longevity. Franchises and seasonal arcs exploit this by extending the “will they/won’t they” tension, turning episodic drama into long-term emotional investment.
From Shakespeare’s Romeo and Juliet to modern streaming hits like Normal People or Bridgerton , romantic drama has consistently dominated entertainment markets. Unlike pure comedy or tragedy, this genre synthesizes tension and tenderness. This paper explores two central questions: (1) How does romantic drama utilize narrative conventions to generate entertainment value? (2) What psychological and cultural functions does this genre serve for contemporary audiences? Ross and Rachel
